why aren’t female composers being heard?

Why is there such disparity between Making Waves and the paltry number of women represented in concert programs and commissions? Harriet Langley, in Gender Discrimination in the Classical World (2013) attributes rampant discrimination in the classical world to a reluctance to let go of tradition.

New music is important because it’s written here and now. In the last decade, the number of women studying and working in classical music has risen steadily. Yet bias remains, particularly in composition and conducting. Russian conductor Yuri Temirkanov came under fire in 2013 for saying,